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dramatis personae

英 [ˌdræmətɪs pɜːˈsəʊnaɪ]

美 [ˌdræmətɪs pɜːrˈsoʊni]

n.  全体剧中人物

牛津词典

    noun

    • 全体剧中人物
      all the characters in a play in the theatre

      柯林斯词典

      • (一出戏中的)剧中人物,全部角色
        The characters in a play are sometimes referred to asthe dramatis personae.

        英英释义

        noun

        双语例句

        • FTL meme refers to the vocal language of dramatis personae in films or TV programs imitated and transmitted from mind to mind.
          影视语言模因是指被复制和传播的电影电视节目中人物的有声语言。
        • In the form, both Nauseous and Stranger are accounts in dramatis personae's own words, syncretizing the literary side and philosophical side.
          在形式上,《恶心》与《局外人》都是主人公的自述,文学与哲学融为一体;
        • National culture, traditional custom, historical tradition and social development are the important sources of dramatis personae in idioms.
          民族文化、风俗习惯、历史传统以及社会发展等是人物习语的重要来源。
        • Chenran ( and dramatis personae in her novels) feels much alone, meanwhile tastes the desolation, and then upgrades the loneliness to lay of philosophy and the desolation to compass of art.
          陈染在追求人类终极意义的途中,是如此地感受着孤独,品尝着忧伤,并将孤独提升到哲学层面,把忧伤升华为艺术境界。
        • The love choices of Dramatis personae signify their political ideals, so a hero and a beauty beat a handsome scholar and a pretty girl.
          主人公对爱情的选择象征着其政治理想的归属,英雄美人“打败”了才子佳人。
        • The great significance of Horney's ideology is to analyze and understand the mental conflict of the dramatis personae.
          霍尔奈的理论对于分析和理解文学作品的人物心理冲突具有十分重大的意义。
        • Liang Heng 'prose works can be classified into two categories: the landscape prose and dramatis personae prose.
          梁衡的散文作品从题材上可以分为山水散文和人物散文。
        • Therefore, chapter two and chapter three start to research mostly from the dramatic elements of the opera, it explores the theme of the opera and the causes of the romantic tragedy from the plot and the dramatis personae.
          因此第二章第三章主要从歌剧的戏剧元素进入研究,从歌剧选材和歌剧人物入手,对歌剧主题及爱情悲剧的成因进行考察。
        • When acting as a connotation character, it compares with the dramatis personae and sustains each other.
          当“我”以内涵人物出现时,“我”和主人公参差对照,重叠互映,各得生命;
        • It tries to analyze the shape of the theme, the relation of the dramatis personae and its relation with the development of the dramatic confliction, the causes of Margaret's tragedy from the approach of the context.
          从文本角度,探析歌剧主题形成、戏剧人物关系,以及这种关系与戏剧冲突发展的关系,玛格丽特悲剧的成因;