dramatis personae

英 [ˌdræmətɪs pɜːˈsəʊnaɪ]

美 [ˌdræmətɪs pɜːrˈsoʊni]

n.  全体剧中人物

牛津词典

noun

• 全体剧中人物
  all the characters in a play in the theatre

柯林斯词典

• (一出戏中的)剧中人物，全部角色
  The characters in a play are sometimes referred to asthe dramatis personae.

英英释义

noun

• the actors in a play
  Synonym:castcast of characters

双语例句

• National culture, traditional custom, historical tradition and social development are the important sources of dramatis personae in idioms.
  民族文化、风俗习惯、历史传统以及社会发展等是人物习语的重要来源。
• From the translation style of the dramatis personae's language, the author analyzes the artistic achievement of Ying Ruocheng's translation of "Death of the Salesman".
  本文试从戏剧人物语言的翻译风格的角度，试析著名艺术家、翻译家英若诚先生戏剧翻译作品《推销员之死》的艺术成就。
• Liang Heng 'prose works can be classified into two categories: the landscape prose and dramatis personae prose.
  梁衡的散文作品从题材上可以分为山水散文和人物散文。
• PERSONAGE The Application of Dramatis Personae in Idiom and its Natural Culture
  从民族文化看人物习语
• The love choices of Dramatis personae signify their political ideals, so a hero and a beauty beat a handsome scholar and a pretty girl.
  主人公对爱情的选择象征着其政治理想的归属，英雄美人“打败”了才子佳人。
• FTL meme refers to the vocal language of dramatis personae in films or TV programs imitated and transmitted from mind to mind.
  影视语言模因是指被复制和传播的电影电视节目中人物的有声语言。
• It tries to analyze the shape of the theme, the relation of the dramatis personae and its relation with the development of the dramatic confliction, the causes of Margaret's tragedy from the approach of the context.
  从文本角度，探析歌剧主题形成、戏剧人物关系，以及这种关系与戏剧冲突发展的关系，玛格丽特悲剧的成因；
• When acting as a connotation character, it compares with the dramatis personae and sustains each other.
  当“我”以内涵人物出现时，“我”和主人公参差对照，重叠互映，各得生命；
• Establishing the network circumstances and going into managing are the original acquisition of the property, obtaining the virtual things ( such as accounts, props, dramatis personae in the games and currencies) in the network games is the derivative acquisition.
  创设网络环境并投入运营是对虚拟财产的原始取得，用户对网络游戏中虚拟物（包括账户、道具、游戏人物、货币）的取得是继受取得。
• Therefore, chapter two and chapter three start to research mostly from the dramatic elements of the opera, it explores the theme of the opera and the causes of the romantic tragedy from the plot and the dramatis personae.
  因此第二章第三章主要从歌剧的戏剧元素进入研究，从歌剧选材和歌剧人物入手，对歌剧主题及爱情悲剧的成因进行考察。